The promises we keep today lay the foundation for tomorrow — the journey starts now.
Untitled (Pen), 1998. C-Print. Gallerist: Kavi Gupta, Chicago Kerry James Marshall was born in 1955 in Birmingham, Alabama before his family moved to South Central Los Angeles where he was raised in the Watts neighborhood—known for the riots in 1965 that were a response to police brutality. Marshall witnessed the riots and grew up surrounded by the Civil Rights and Black Power movements of the 1960s, which impacted him deeply and shaped his perspective as an artist.
As part of my series about the “Five Things You Need To Be A Highly Effective Leader During Turbulent Times," I had the pleasure of interviewing Bob Clark. Bob Clark is executive chairman of Clayco, which he founded in 1984. The enterprise ranks among the top builders in North America and in 2019 achieved 3 billion dollars in U.S. revenue. The company focuses on large projects in the corporate and commercial, mission critical, logistics, aviation, manufacturing, healthcare, higher education, life sciences and public-sector markets.
Teju, 2019. Oil on Canvas. Gallerist: Mariane Ibrahim, Chicago. Ghanian artist Amoako Boafo resides between Vienna, Austria, where he has lived since 2014, and Accra, Ghana where he was born in 1984. He never imagined that his childhood love for painting would turn into a career as an artist. After losing his father when he was very young, he was raised solely by his mother, who worked as a cook. As a child, he taught himself to paint at home while his mother was away at work.
A couple of months ago, I was asked to join BisNow’s Webinar on Racial Equality, Diversity and Mentorship in CRE (commercial real estate). I was joined by four other industry leaders and pioneers in racial equality, including Damona Strautmanis who served as the moderator for the event. I wanted to share what we discussed during the webinar because there are few topics as important as diversity and inclusion in the workplace. DS: Thank you for joining us Bob, do you have a fun fact to share?
“I’m reclaiming photography as a black female being. I’m calling myself a visual activist, whether I am included in a show or not, whether I am published or not. That’s my stance as a person, before anything else, before my sexuality and gender, because photography doesn’t have a gender.” — Zanele Muholi
This month’s featured artist, Sanford Biggers, is a New York City-based multidisciplinary artist who defies categorization. There is hardly a medium that Biggers has neglected to experiment with, boasting an oeuvre that includes sculpture, painting, mixed media, performance art, conceptual art, and film. Mr. Biggers, however, has not limited himself to the visual arts. As the lead and keyboardist of the multimedia concept band Moon Medicin, he also operates as the creative director, putting together performances in collaboration with other musicians featuring backdrop images of “sci-fi, punk, sacred geometry, coded symbology, film noir, minstrels, world politics, and ceremonial dance.” Born and raised in Los Angeles, Biggers received his master’s from the Art Institute of Chicago with a specialization in painting, before landing in New York City in 1999 to complete an artist residency at Harlem’s Studio Museum. Place is an important notion in his work, as he draws from his experiences of growing up in Los Angeles, teaching English in Japan, and spending a large part of his adult life in New York City. Biggers’ work in general is an act of “material storytelling” that employs motifs related to his concerns with the Black experience, violence in America, Buddhism, and the narrativization of the cultural and political history of the United States.
Some of the key choices that we get to make in this life are the things we prioritize, both with our finances and with our energy and efforts.
Over the course of my life, my priorities have shifted immensely, and I now spend a large amount of my time focusing on the work that our foundation is doing, as well as being engaged in impactful community efforts. The majority of the work that we are a part of is aimed at issues directly affecting my family and the Clayco community.